EWA A. ŁUKASZYK
  • Home
  • ABOUT
  • THEORY & EXPERIMENTS
    • BEYOND TRANSMISSION
    • DESERT
    • EROTICISM OF TRACE
    • INTIMATE MICROSPHERES
    • NON-CULTURAL MORPHOGENESIS
    • PINWHEELS
    • POETICS OF THE VOID
    • SYMBOLIC MATRIX
  • RESEARCH & PROJECTS
    • DISCIPLINES >
      • LITERARY THEORY
      • COMPARATIVE LITERATURE
      • GLOBAL LITERARY STUDIES
      • HISTORY OF IDEAS
      • CULTURAL THEORY & ANALYSIS
    • AREAS >
      • ISLAMIC STUDIES
      • ARAB LITERATURE
      • MAGHREBIAN & WEST AFRICAN STUDIES
      • WEST EUROPEAN & EURO-MEDITERRANEAN LITERATURES
      • EAST EUROPEAN & POST-SOVIET LITERATURES
      • PORTUGUESE STUDIES
      • LUSOPHONE AFRICAN STUDIES
      • LATIN AMERICAN STUDIES
    • PERIODS >
      • MEDIEVAL & EARLY MODERN STUDIES
      • 19TH-CENTURY STUDIES
    • FIELDS >
      • TRANSCULTURAL HUMANITIES
      • TRANSCOLONIAL & TRANSINDIGENOUS STUDIES
      • MARITIME HUMANITIES
      • FEMINISMS, GENDER & QUEER STUDIES
      • EROTICISM & SEXUALITY STUDIES
      • PLANT & ANIMAL STUDIES
      • APOCALYPTIC STUDIES
    • TOPICS >
      • TRAVEL WRITING
      • WRITINGS ON ART
  • LIBRARY & THE WORLD
    • ARCTIC & SCANDINAVIA >
      • GREENLAND
      • ICELAND
      • NORWAY
      • SWEDEN
      • FINLAND
      • DENMARK
    • EASTERN EUROPE >
      • ESTONIA
      • LATVIA
      • LITHUANIA
      • RUSSIA
      • BELARUS
      • UKRAINE
      • POLAND
      • Forty Years of Travel in Poland
      • CZECH REPUBLIC
      • SLOVAKIA
      • HUNGARY
      • ROMANIA
      • MOLDOVA
    • WESTERN EUROPE >
      • IRELAND
      • SCOTLAND
      • GREAT BRITAIN
      • NETHERLANDS
      • BELGIUM
      • LUXEMBURG
      • GERMANY
      • AUSTRIA
      • LIECHTENSTEIN
      • SWITZERLAND
      • FRANCE
      • MIDI
      • ITALY
      • VENICE
      • SICILY
      • MALTA
      • CATALONIA
      • SPAIN
      • PORTUGAL
      • CANARY ISLANDS
    • THE BALKANS >
      • SLOVENIA
      • CROATIA
      • SERBIA
      • ALBANIA
      • BOSNIA & HERZEGOVINA
      • MONTENEGRO
      • BULGARIA
      • NORTH MACEDONIA
      • GREECE
    • CAUCASUS >
      • GEORGIA
      • ARMENIA
      • AZERBAIJAN
      • CHECHNYA & INGUSHETIA
      • DAGESTAN
      • A Ride across the Caucasus
    • MIDDLE EAST >
      • EGYPT
      • LEBANON
      • PALESTINE
      • ISRAEL
      • CYPRUS
      • TURKEY
      • CAPPADOCIA
      • KURDISTAN
      • SYRIA
      • IRAQ
      • KUWAIT
      • JORDAN
      • SAUDI ARABIA
      • QATAR
      • UNITED ARAB EMIRATES
      • BAHRAIN
      • OMAN
      • YEMEN
    • MAGHREB & SAHEL >
      • AL-ANDALUS
      • MOROCCO
      • TUNISIA
      • ALGERIA
      • LIBYA
      • SAHRAWI REPUBLIC
      • MAURITANIA
      • MALI
      • BURKINA FASO
      • NIGER
      • CHAD
      • SUDAN
      • FULANI WORLD
      • MANDINGA WORLD
    • WEST AFRICA >
      • SENEGAL
      • GAMBIA
      • CAPE VERDE
      • GUINEA-BISSAU
      • GUINEA
      • SIERRA LEONE
      • IVORY COAST
      • GHANA
      • SAO TOME & PRINCIPE
      • TOGO
      • BENIN
      • NIGERIA
      • CAMEROON
      • EQUATORIAL GUINEA
      • CENTRAL AFRICAN REPUBLIC
      • GABON
    • THE HORN OF AFRICA >
      • ETHIOPIA
      • ERITREA
      • DJIBOUTI
      • SOMALIA
    • THE SOUTH OF AFRICA >
      • CONGO
      • UGANDA
      • KENYA
      • RWANDA
      • BURUNDI
      • TANZANIA
      • ANGOLA
      • ZAMBIA
      • MALAWI
      • MOZAMBIQUE
      • ZIMBABWE
      • NAMIBIA
      • BOTSWANA
      • SOUTH AFRICA
      • LESOTHO
      • ESWATINI
    • INDIA & INDIAN OCEAN >
      • INDIA
      • NEPAL
      • BHUTAN
      • BANGLADESH
      • SRI LANKA
      • MALDIVES
      • SEYCHELLES
      • MAURITIUS
      • COMOROS
      • MADAGASCAR
    • SOUTH EAST ASIA >
      • LAOS
      • VIETNAM
      • CAMBODIA
      • MYANMAR
      • THAILAND
      • MALAYSIA
      • SINGAPORE
      • BRUNEI
      • INDONESIA
      • BALI
      • TIMOR
      • PHILIPPINES
    • IRAN & CENTRAL ASIA >
      • IRAN
      • AFGHANISTAN
      • PAKISTAN
      • UZBEKISTAN
      • TAJIKISTAN
      • KYRGYZSTAN
      • TURKMENISTAN
      • KAZAKHSTAN
      • TAKLAMAKAN & THE UYGHURS
    • NORTH & NORTH EAST ASIA >
      • CHUKOTKA & KAMCHATKA
      • SAKHA (YAKUTIA)
      • JAPAN
      • MANCHURIA
      • KOREA
      • BURYATIA
      • TUVA
      • MONGOLIA
      • CHINA
      • TIBET
    • NORTH AMERICA >
      • CANADA
      • UNITED STATES
    • MESOAMERICA >
      • MEXICO
      • GUATEMALA
      • BELIZE
      • EL SALVADOR
      • HONDURAS
      • NICARAGUA
      • COSTA RICA
      • PANAMA
    • THE CARIBBEAN >
      • CUBA
      • JAMAICA
      • HAITI
      • DOMINICAN REPUBLIC
      • PUERTO RICO
      • MARTINIQUE
      • TRINIDAD & TOBAGO
    • SOUTH AMERICA >
      • BRAZIL
      • COLOMBIA
      • VENEZUELA
      • GUYANA
      • SURINAME
      • ECUADOR
      • PERU
      • BOLIVIA
      • URUGUAY
      • PARAGUAY
      • ARGENTINA
      • CHILE
    • POLYNESIA >
      • EASTER ISLAND
      • TAHITI & FRENCH POLYNESIA
      • SAMOA
      • TONGA
    • MICRONESIA >
      • MARSHALL ISLANDS
      • PALAU
      • KIRIBATI
    • MELANESIA >
      • PAPUA NEW GUINEA
      • NEW CALEDONIA
      • VANUATU
      • FIJI
      • SOLOMON ISLANDS
    • AUSTRALASIA >
      • AUSTRALIA
      • NEW ZEALAND
    • ANTARCTICA >
      • EXPLORATION
  • AUTOBIOGRAPHICA & MARGINALIA
    • The Four Riders
    • The Flight of the Crimson Angel
    • Becoming undead
    • Transition
    • LIFESTYLE
    • ON LANGUAGES
    • FALCONRY
    • NATURE PHOTOGRAPHY >
      • PLANTS >
        • BOTANIC GARDENS
        • FORESTS
      • BUTTERFLIES
      • AMPHIBIANS & REPTILES
      • BIRDS
      • MAMMALS
      • WATER & AQUATIC LIFE
      • EARTH
      • LIGHT
    • GARDEN & DESERT. Erotic Journal
  • News & Events
    • Void in the making. RESEARCH BLOG
  • TEXTS
  • Contact

COLOMBIA

I have read

Gabriel García Márquez, El coronel no tiene quien le escriba (1961), Crónica de una muerte anunciada (1981)
Vertical Divider

I have written

... nothing ...

Aluna, the world's management 

Closed in a little room in Lisbon, during the pandemic, I see all kinds of movies. One of them is Aluna, a 2012 documentary on Kogi tribe from the Colombian Serra Nevada, a sequel of a 1990 BBC documentary From the Heart of The World: Elder Brother's Warning. Once again, it is all about the warning the Kogi decided to send to the "Younger Brother", the Spanish-speaking white man or simply the modern world. The message of the movie echoes all those calls for the recognition of the "epistemologies of the South", since the Indians want to say something quite precise, concerning the water cycle, invasive species, the sanctuaries of biodiversity across the mountains and sea shore they were traditionally controlling and, in their own way, carefully studying. They got an Oxford expert's keen attention. At least it is supposed to seem so on the movie.
Connecting the hot spots with the golden thread they cared to acquire from what appears to be an English manufacturer, they create something that would be a remarkable work of art integrating Western artistic tradition; probably it speaks so persuasively because, by some strange coincidence, it enters our mental orbit, is so nicely post-modern. But what strikes me most is the persuasion of being world's managers that those Indians possess. They believe to be actually responsible for the state of the forest they inhabit. Apparently, it is not only a Judeo-Christian message, and nothing connected exclusively with the modernity. It is probably something far more universal to believe that we, as a group, a tribe, a race, a mankind, are in charge. Contemporary humanities, or post-humanities as some people say, try to criticise and eradicate this presumption. Nonetheless, the Anthropocene, for those barefooted Indians, had arrived thousands of years ago; in fact, at the very beginning of everything.


Lisbon, 4.04.2020.
Powered by Create your own unique website with customizable templates.
  • Home
  • ABOUT
  • THEORY & EXPERIMENTS
    • BEYOND TRANSMISSION
    • DESERT
    • EROTICISM OF TRACE
    • INTIMATE MICROSPHERES
    • NON-CULTURAL MORPHOGENESIS
    • PINWHEELS
    • POETICS OF THE VOID
    • SYMBOLIC MATRIX
  • RESEARCH & PROJECTS
    • DISCIPLINES >
      • LITERARY THEORY
      • COMPARATIVE LITERATURE
      • GLOBAL LITERARY STUDIES
      • HISTORY OF IDEAS
      • CULTURAL THEORY & ANALYSIS
    • AREAS >
      • ISLAMIC STUDIES
      • ARAB LITERATURE
      • MAGHREBIAN & WEST AFRICAN STUDIES
      • WEST EUROPEAN & EURO-MEDITERRANEAN LITERATURES
      • EAST EUROPEAN & POST-SOVIET LITERATURES
      • PORTUGUESE STUDIES
      • LUSOPHONE AFRICAN STUDIES
      • LATIN AMERICAN STUDIES
    • PERIODS >
      • MEDIEVAL & EARLY MODERN STUDIES
      • 19TH-CENTURY STUDIES
    • FIELDS >
      • TRANSCULTURAL HUMANITIES
      • TRANSCOLONIAL & TRANSINDIGENOUS STUDIES
      • MARITIME HUMANITIES
      • FEMINISMS, GENDER & QUEER STUDIES
      • EROTICISM & SEXUALITY STUDIES
      • PLANT & ANIMAL STUDIES
      • APOCALYPTIC STUDIES
    • TOPICS >
      • TRAVEL WRITING
      • WRITINGS ON ART
  • LIBRARY & THE WORLD
    • ARCTIC & SCANDINAVIA >
      • GREENLAND
      • ICELAND
      • NORWAY
      • SWEDEN
      • FINLAND
      • DENMARK
    • EASTERN EUROPE >
      • ESTONIA
      • LATVIA
      • LITHUANIA
      • RUSSIA
      • BELARUS
      • UKRAINE
      • POLAND
      • Forty Years of Travel in Poland
      • CZECH REPUBLIC
      • SLOVAKIA
      • HUNGARY
      • ROMANIA
      • MOLDOVA
    • WESTERN EUROPE >
      • IRELAND
      • SCOTLAND
      • GREAT BRITAIN
      • NETHERLANDS
      • BELGIUM
      • LUXEMBURG
      • GERMANY
      • AUSTRIA
      • LIECHTENSTEIN
      • SWITZERLAND
      • FRANCE
      • MIDI
      • ITALY
      • VENICE
      • SICILY
      • MALTA
      • CATALONIA
      • SPAIN
      • PORTUGAL
      • CANARY ISLANDS
    • THE BALKANS >
      • SLOVENIA
      • CROATIA
      • SERBIA
      • ALBANIA
      • BOSNIA & HERZEGOVINA
      • MONTENEGRO
      • BULGARIA
      • NORTH MACEDONIA
      • GREECE
    • CAUCASUS >
      • GEORGIA
      • ARMENIA
      • AZERBAIJAN
      • CHECHNYA & INGUSHETIA
      • DAGESTAN
      • A Ride across the Caucasus
    • MIDDLE EAST >
      • EGYPT
      • LEBANON
      • PALESTINE
      • ISRAEL
      • CYPRUS
      • TURKEY
      • CAPPADOCIA
      • KURDISTAN
      • SYRIA
      • IRAQ
      • KUWAIT
      • JORDAN
      • SAUDI ARABIA
      • QATAR
      • UNITED ARAB EMIRATES
      • BAHRAIN
      • OMAN
      • YEMEN
    • MAGHREB & SAHEL >
      • AL-ANDALUS
      • MOROCCO
      • TUNISIA
      • ALGERIA
      • LIBYA
      • SAHRAWI REPUBLIC
      • MAURITANIA
      • MALI
      • BURKINA FASO
      • NIGER
      • CHAD
      • SUDAN
      • FULANI WORLD
      • MANDINGA WORLD
    • WEST AFRICA >
      • SENEGAL
      • GAMBIA
      • CAPE VERDE
      • GUINEA-BISSAU
      • GUINEA
      • SIERRA LEONE
      • IVORY COAST
      • GHANA
      • SAO TOME & PRINCIPE
      • TOGO
      • BENIN
      • NIGERIA
      • CAMEROON
      • EQUATORIAL GUINEA
      • CENTRAL AFRICAN REPUBLIC
      • GABON
    • THE HORN OF AFRICA >
      • ETHIOPIA
      • ERITREA
      • DJIBOUTI
      • SOMALIA
    • THE SOUTH OF AFRICA >
      • CONGO
      • UGANDA
      • KENYA
      • RWANDA
      • BURUNDI
      • TANZANIA
      • ANGOLA
      • ZAMBIA
      • MALAWI
      • MOZAMBIQUE
      • ZIMBABWE
      • NAMIBIA
      • BOTSWANA
      • SOUTH AFRICA
      • LESOTHO
      • ESWATINI
    • INDIA & INDIAN OCEAN >
      • INDIA
      • NEPAL
      • BHUTAN
      • BANGLADESH
      • SRI LANKA
      • MALDIVES
      • SEYCHELLES
      • MAURITIUS
      • COMOROS
      • MADAGASCAR
    • SOUTH EAST ASIA >
      • LAOS
      • VIETNAM
      • CAMBODIA
      • MYANMAR
      • THAILAND
      • MALAYSIA
      • SINGAPORE
      • BRUNEI
      • INDONESIA
      • BALI
      • TIMOR
      • PHILIPPINES
    • IRAN & CENTRAL ASIA >
      • IRAN
      • AFGHANISTAN
      • PAKISTAN
      • UZBEKISTAN
      • TAJIKISTAN
      • KYRGYZSTAN
      • TURKMENISTAN
      • KAZAKHSTAN
      • TAKLAMAKAN & THE UYGHURS
    • NORTH & NORTH EAST ASIA >
      • CHUKOTKA & KAMCHATKA
      • SAKHA (YAKUTIA)
      • JAPAN
      • MANCHURIA
      • KOREA
      • BURYATIA
      • TUVA
      • MONGOLIA
      • CHINA
      • TIBET
    • NORTH AMERICA >
      • CANADA
      • UNITED STATES
    • MESOAMERICA >
      • MEXICO
      • GUATEMALA
      • BELIZE
      • EL SALVADOR
      • HONDURAS
      • NICARAGUA
      • COSTA RICA
      • PANAMA
    • THE CARIBBEAN >
      • CUBA
      • JAMAICA
      • HAITI
      • DOMINICAN REPUBLIC
      • PUERTO RICO
      • MARTINIQUE
      • TRINIDAD & TOBAGO
    • SOUTH AMERICA >
      • BRAZIL
      • COLOMBIA
      • VENEZUELA
      • GUYANA
      • SURINAME
      • ECUADOR
      • PERU
      • BOLIVIA
      • URUGUAY
      • PARAGUAY
      • ARGENTINA
      • CHILE
    • POLYNESIA >
      • EASTER ISLAND
      • TAHITI & FRENCH POLYNESIA
      • SAMOA
      • TONGA
    • MICRONESIA >
      • MARSHALL ISLANDS
      • PALAU
      • KIRIBATI
    • MELANESIA >
      • PAPUA NEW GUINEA
      • NEW CALEDONIA
      • VANUATU
      • FIJI
      • SOLOMON ISLANDS
    • AUSTRALASIA >
      • AUSTRALIA
      • NEW ZEALAND
    • ANTARCTICA >
      • EXPLORATION
  • AUTOBIOGRAPHICA & MARGINALIA
    • The Four Riders
    • The Flight of the Crimson Angel
    • Becoming undead
    • Transition
    • LIFESTYLE
    • ON LANGUAGES
    • FALCONRY
    • NATURE PHOTOGRAPHY >
      • PLANTS >
        • BOTANIC GARDENS
        • FORESTS
      • BUTTERFLIES
      • AMPHIBIANS & REPTILES
      • BIRDS
      • MAMMALS
      • WATER & AQUATIC LIFE
      • EARTH
      • LIGHT
    • GARDEN & DESERT. Erotic Journal
  • News & Events
    • Void in the making. RESEARCH BLOG
  • TEXTS
  • Contact