EWA A. ŁUKASZYK
  • Home
  • ABOUT
  • THEORY & EXPERIMENTS
    • BEYOND TRANSMISSION
    • DESERT
    • EROTICISM OF TRACE
    • INTIMATE MICROSPHERES
    • NON-CULTURAL MORPHOGENESIS
    • PINWHEELS
    • POETICS OF THE VOID
    • SYMBOLIC MATRIX
  • RESEARCH & PROJECTS
    • DISCIPLINES >
      • LITERARY THEORY
      • COMPARATIVE LITERATURE
      • GLOBAL LITERARY STUDIES
      • GLOBAL HISTORY OF IDEAS
      • CULTURAL THEORY & ANALYSIS
    • AREAS >
      • ISLAMIC STUDIES
      • CLASSICAL ARAB LITERATURE
      • MAGHREBIAN STUDIES
      • MEDITERRANEAN STUDIES
      • EURO-MEDITERRANEAN LITERATURE
      • ROMANCE MEDIEVAL & EARLY MODERN STUDIES
      • FRENCH & EUROPEAN FRANCOPHONE LITERATURES
      • PORTUGUESE STUDIES
      • LUSOPHONE AFRICAN STUDIES
      • LATIN AMERICAN STUDIES
    • FIELDS >
      • TRANSCULTURAL HUMANITIES
      • TRANSCOLONIAL & TRANSINDIGENOUS STUDIES
      • MARITIME HUMANITIES
      • APOCALYPTIC STUDIES
      • EROTICISM & SEXUALITY STUDIES
      • PLANT & ANIMAL STUDIES
    • TOPICS >
      • TRAVEL LITERATURE
      • WRITINGS ON ART
    • UNSOLVED QUESTIONS >
      • LANGUAGE BEYOND MEANING
  • TRAVELS & LITERATURE
    • ARCTIC & SCANDINAVIA >
      • GREENLAND
      • ICELAND
      • NORWAY
      • SWEDEN
      • FINLAND
      • DENMARK
    • EASTERN EUROPE >
      • ESTONIA
      • LATVIA
      • LITHUANIA
      • RUSSIA
      • BELARUS
      • UKRAINE
      • POLAND
      • Forty Years of Travel in Poland
      • CZECH REPUBLIC
      • SLOVAKIA
      • HUNGARY
      • ROMANIA
      • MOLDOVA
    • WESTERN EUROPE >
      • IRELAND
      • SCOTLAND
      • GREAT BRITAIN
      • NETHERLANDS
      • BELGIUM
      • LUXEMBURG
      • GERMANY
      • AUSTRIA
      • LIECHTENSTEIN
      • SWITZERLAND
      • FRANCE
      • MIDI
      • ITALY
      • VENICE
      • SICILY
      • MALTA
      • CATALONIA
      • SPAIN
      • PORTUGAL
      • CANARY ISLANDS
    • THE BALKANS >
      • SLOVENIA
      • CROATIA
      • SERBIA
      • ALBANIA
      • BOSNIA & HERZEGOVINA
      • MONTENEGRO
      • BULGARIA
      • NORTH MACEDONIA
      • GREECE
    • CAUCASUS >
      • GEORGIA
      • ARMENIA
      • AZERBAIJAN
      • CHECHNYA & INGUSHETIA
      • DAGESTAN
      • A Ride across the Caucasus
    • MIDDLE EAST >
      • EGYPT
      • TURKEY
      • CAPPADOCIA
      • CYPRUS
      • LEBANON
      • ISRAEL
      • PALESTINE
      • SYRIA
      • IRAQ
      • KUWAIT
      • JORDAN
      • SAUDI ARABIA
      • QATAR
      • UNITED ARAB EMIRATES
      • BAHRAIN
      • OMAN
      • YEMEN
    • MAGHREB & SAHEL >
      • AL-ANDALUS
      • MOROCCO
      • TUNISIA
      • ALGERIA
      • LIBYA
      • SAHRAWI REPUBLIC
      • MAURITANIA
      • MALI
      • BURKINA FASO
      • NIGER
      • CHAD
      • SUDAN
      • FULANI WORLD
      • MANDINGA WORLD
    • WEST AFRICA >
      • SENEGAL
      • GAMBIA
      • CAPE VERDE
      • GUINEA-BISSAU
      • GUINEA
      • SIERRA LEONE
      • IVORY COAST
      • GHANA
      • SAO TOME & PRINCIPE
      • TOGO
      • BENIN
      • NIGERIA
      • CAMEROON
      • EQUATORIAL GUINEA
      • CENTRAL AFRICAN REPUBLIC
      • GABON
    • THE HORN OF AFRICA >
      • ETHIOPIA
      • ERITREA
      • DJIBOUTI
      • SOMALIA
    • THE SOUTH OF AFRICA >
      • CONGO
      • UGANDA
      • KENYA
      • RWANDA
      • BURUNDI
      • TANZANIA
      • ANGOLA
      • ZAMBIA
      • MALAWI
      • MOZAMBIQUE
      • ZIMBABWE
      • NAMIBIA
      • BOTSWANA
      • LESOTHO
      • ESWATINI
      • SOUTH AFRICA
    • INDIA & INDIAN OCEAN >
      • INDIA
      • NEPAL
      • BHUTAN
      • BANGLADESH
      • SRI LANKA
      • MALDIVES
      • SEYCHELLES
      • MAURITIUS
      • COMOROS
      • MADAGASCAR
    • SOUTH EAST ASIA >
      • LAOS
      • VIETNAM
      • CAMBODIA
      • MYANMAR
      • THAILAND
      • MALAYSIA
      • SINGAPORE
      • BRUNEI
      • INDONESIA
      • BALI
      • TIMOR
      • PHILIPPINES
    • IRAN & CENTRAL ASIA >
      • IRAN
      • AFGHANISTAN
      • PAKISTAN
      • UZBEKISTAN
      • TAJIKISTAN
      • KYRGYZSTAN
      • TURKMENISTAN
      • KAZAKHSTAN
      • TAKLAMAKAN & THE UYGHURS
    • NORTH & NORTH EAST ASIA >
      • CHUKOTKA & KAMCHATKA
      • SAKHA (YAKUTIA)
      • JAPAN
      • MANCHURIA
      • KOREA
      • BURYATIA
      • MONGOLIA
      • CHINA
      • TIBET
    • NORTH AMERICA >
      • CANADA
      • UNITED STATES
    • MESOAMERICA >
      • MEXICO
      • GUATEMALA
      • BELIZE
      • EL SALVADOR
      • HONDURAS
      • NICARAGUA
      • COSTA RICA
      • PANAMA
    • THE CARIBBEAN >
      • CUBA
      • JAMAICA
      • HAITI
      • DOMINICAN REPUBLIC
      • PUERTO RICO
      • MARTINIQUE
      • TRINIDAD & TOBAGO
    • SOUTH AMERICA >
      • BRAZIL
      • COLOMBIA
      • VENEZUELA
      • GUYANA
      • SURINAME
      • ECUADOR
      • PERU
      • BOLIVIA
      • URUGUAY
      • PARAGUAY
      • ARGENTINA
      • CHILE
    • POLYNESIA >
      • EASTER ISLAND
      • TAHITI & FRENCH POLYNESIA
      • SAMOA
      • TONGA
    • MICRONESIA >
      • MARSHALL ISLANDS
      • PALAU
      • KIRIBATI
    • MELANESIA >
      • PAPUA NEW GUINEA
      • NEW CALEDONIA
      • VANUATU
      • FIJI
      • SOLOMON ISLANDS
    • AUSTRALASIA >
      • AUSTRALIA
      • NEW ZEALAND
    • ANTARCTICA >
      • EXPLORATION
  • AUTOBIOGRAPHICA & MARGINALIA
    • The Four Riders
    • The Flight of the Crimson Angel
    • Becoming undead
    • Transition
    • LIFESTYLE
    • ON LANGUAGES
    • FALCONRY
    • NATURE PHOTOGRAPHY >
      • PLANTS >
        • BOTANIC GARDENS
        • FORESTS
      • BUTTERFLIES
      • AMPHIBIANS & REPTILES
      • BIRDS
      • MAMMALS
      • WATER & AQUATIC LIFE
      • EARTH
      • LIGHT
    • GARDEN & DESERT. Erotic Journal
  • News & Events
    • Void in the making. RESEARCH BLOG
  • TEXTS
  • Contact

GARDEN & DESERT
​
Erotic Journal

Transcultural approach to comparative literary and religious studies

29/4/2015

0 Comments

 
On April, 28th, the Transcultural Humanities project will be presented during yet another PhD seminar existing at the Faculty "Artes Liberales", the one coordinated by prof. Alina Nowicka-Jeżowa. Together with Rafał Zawisza and Ewa Niedziałek, we will present the general concept of transculture in its many assertions and we will try to explain how our own ideas, and thus the project "Towards Transcultural Humanities", differs from other scholarly endeavors currently conduced in Europe and worldwide. 
What has been sent to the participants as an introductory material is the article by Arianna Dagnino, Transcultural Literature and Contemporary World Literature(s) - a good traversal presentation of what is currently understood under the term of "transcultural", mainly in literary studies. I want to treat this text as a starting point to show how my own assertion of this term is peculiar and - hopefully - innovative in relation to the state of the art in this research field. First of all, my transculture is much broader and so to say "metaphysical" term, plunging deep into history of human attempts of breaking through the cultured condition. That's something else than the "down-to-earth" understanding of transcultural literature as a post-migrant or neo-nomadian kind of writing, produced by people immersed in the globalized conditions, such as - just to come back to the often cited example - Hanif Kuraishi.
As I wrote in one of the previous posts, I was about to stick to this shallow chronological perspective, cutting down much of the historical research I'd been planning. Yet the project took a new lease of life after my conversation with Rafał Zawisza, who suggested, against my incredulity, we might drag Agata Bielik-Robson into the adventure.  It is certainly a great honor and enormous stimulation for me that prof. Bielik-Robson agreed to participate, or at least to talk about this project. It means not only that we would get the complete perspective upon the tripartite monotheistic tradition (my idea is to speak about transcultural religion / spirituality as much or more than about transcultural literature), but also it pushes the whole project deeper into the time, as we might get a lot of original research concerning the heterodox thought forming a non-obvious traditio that needs to be considered rather in terms of a search for isomorphisms and coincidence of ideas rather than the usual paradigms of influence and historical continuity.
Shortly speaking, this is an approach towards the transcultural writing that starts from Llull and Luria rather than from Hanif Kuraishi. And if I can form any clear idea on what does it mean to go beyond the state of the art and to give an original contribution to research, well, that's the originality and that's the innovation.
0 Comments

Arriving at the city. On critical nomadism

27/4/2015

1 Comment

 
Actually I shouldn't think about writing loose papers right now, but the reading of Machinic Eros, a small volume recuperating, in English translation, some of the writings by Felix Guatari on Japan (Univocal, Minneapolis, 2015), provoked me to do so. Namely to write a small essay for the next issue of "Anthropos?", dedicated to the city. 
Is city a place? - ask the editors of "Anthropos?" - if such a simple translation reflects specifically Polish idiomatic matrix of our local geopoetical thinking ("Czy miasto jest miejscem?" - city and place in Polish share the same etymology). I translate it in Arabic, recording a reading of Banat Su'ad I once did in very similar terms. The desert, amorphous expanse, as non-place (non-makan), the talal (the remains of a camp, a "ruinous abode") as place (makan). Place as a fragment of space defined by the act of dwelling. Dwelling gone by and remembered, reenacted through memory in the current trip (rihlah). Is city a talal in a rihlah? A re-visited place in which seeing and remembering overlap?
I consider the city not as a place to live; I think about a foreign, an alien city we arrive at. The overlapping languages and multiple acts of translation are supposed to bring about or textualize the transcultural condition of a traveler.
The essay is thus on nomads and city-dwellers. Its quadruple construction will take a short narration by Kafka for a starting point: the arrival of the nomads at a city. And then I should come back to Guattari and his editors, who brought me the whole idea. In an essay published at the closure of the volume, Jay Hetrick explores the concept of "critical nomadism", putting in relevance the effort of dis-europocentrism that can be seen in Guattari. At the beginning of the volume, there is his text on a Japanese city, on Tokyo, that perhaps is not Tokyo after all, as the footnote explains. Perhaps it is Osaka or just another Japanese city. Did Guattari get confused in his rihlah, taking one place for another, deterritorializing and reterritorializing what he could actually remember from his trip?
This jet-lagged, spatially and temporarily confused experience of the world is characteristic for our times. In our intercontinental trips, we get easily confused about the cities we arrive at - destinations that only recently were supposed to pinpoint the configuration of the world. Cities are signs, like in the biblical narration of Babel, signs made by men to prevent them from dispersing ("uczyńmy sobie znak, abyśmy się nie rozproszyli po całej ziemi"). This is why there are towers in the centers of the cities, Petronas Towers, Burj Dubai, Pałac Kultury... I dlatego też miasto jest miejscem pomieszania języków.
As signs, they infallibly attract the nomads. Cities are established by the Desert (the risk of dispersion it represents) and they establish the Desert. The nomad make the city-dweller, the city-dweller the nomad. Transcultural dispatriations of our times are only a variation on the immemorial scheme of qasidah: between talal and rihlah, and the final qasd that attracts.
There is a jet-lag in Banat Su'ad, a temporal fissure between too early and too late. Between the erotic promise and the erotic disappearance, between yes and no. This text is so important as a source in my eyes, because it establishes the eroticism of absence, this eroticism of trace from my book-to-come. Yet is Su'ad's eros machinic, as her figure is traced on mere superposition of yes and no, as a pure absence in a temporal lapse? She has no body, there are only djins who yank and tug at her dress. The only shape actually given is concave: the trace of her foot in the sand. A concave without convex, perhaps.
What is concave without convex about a city? Czy miasto jest miejscem po czymś?
1 Comment

    blog archives

    June 2022
    February 2022
    December 2021
    September 2021
    July 2021
    May 2021
    March 2021
    November 2020
    October 2020
    September 2020
    August 2020
    June 2020
    May 2020
    April 2020
    March 2020
    February 2020
    November 2019
    September 2019
    August 2019
    June 2019
    May 2019
    January 2019
    December 2018
    November 2018
    October 2018
    August 2018
    July 2018
    May 2018
    April 2018
    March 2018
    February 2018
    January 2018
    December 2017
    November 2017
    October 2017
    August 2017
    July 2017
    January 2017
    November 2016
    October 2016
    September 2016
    August 2016
    July 2016
    June 2016
    May 2016
    April 2016
    March 2016
    June 2015
    May 2015
    April 2015
    March 2015
    February 2015

Powered by Create your own unique website with customizable templates.
  • Home
  • ABOUT
  • THEORY & EXPERIMENTS
    • BEYOND TRANSMISSION
    • DESERT
    • EROTICISM OF TRACE
    • INTIMATE MICROSPHERES
    • NON-CULTURAL MORPHOGENESIS
    • PINWHEELS
    • POETICS OF THE VOID
    • SYMBOLIC MATRIX
  • RESEARCH & PROJECTS
    • DISCIPLINES >
      • LITERARY THEORY
      • COMPARATIVE LITERATURE
      • GLOBAL LITERARY STUDIES
      • GLOBAL HISTORY OF IDEAS
      • CULTURAL THEORY & ANALYSIS
    • AREAS >
      • ISLAMIC STUDIES
      • CLASSICAL ARAB LITERATURE
      • MAGHREBIAN STUDIES
      • MEDITERRANEAN STUDIES
      • EURO-MEDITERRANEAN LITERATURE
      • ROMANCE MEDIEVAL & EARLY MODERN STUDIES
      • FRENCH & EUROPEAN FRANCOPHONE LITERATURES
      • PORTUGUESE STUDIES
      • LUSOPHONE AFRICAN STUDIES
      • LATIN AMERICAN STUDIES
    • FIELDS >
      • TRANSCULTURAL HUMANITIES
      • TRANSCOLONIAL & TRANSINDIGENOUS STUDIES
      • MARITIME HUMANITIES
      • APOCALYPTIC STUDIES
      • EROTICISM & SEXUALITY STUDIES
      • PLANT & ANIMAL STUDIES
    • TOPICS >
      • TRAVEL LITERATURE
      • WRITINGS ON ART
    • UNSOLVED QUESTIONS >
      • LANGUAGE BEYOND MEANING
  • TRAVELS & LITERATURE
    • ARCTIC & SCANDINAVIA >
      • GREENLAND
      • ICELAND
      • NORWAY
      • SWEDEN
      • FINLAND
      • DENMARK
    • EASTERN EUROPE >
      • ESTONIA
      • LATVIA
      • LITHUANIA
      • RUSSIA
      • BELARUS
      • UKRAINE
      • POLAND
      • Forty Years of Travel in Poland
      • CZECH REPUBLIC
      • SLOVAKIA
      • HUNGARY
      • ROMANIA
      • MOLDOVA
    • WESTERN EUROPE >
      • IRELAND
      • SCOTLAND
      • GREAT BRITAIN
      • NETHERLANDS
      • BELGIUM
      • LUXEMBURG
      • GERMANY
      • AUSTRIA
      • LIECHTENSTEIN
      • SWITZERLAND
      • FRANCE
      • MIDI
      • ITALY
      • VENICE
      • SICILY
      • MALTA
      • CATALONIA
      • SPAIN
      • PORTUGAL
      • CANARY ISLANDS
    • THE BALKANS >
      • SLOVENIA
      • CROATIA
      • SERBIA
      • ALBANIA
      • BOSNIA & HERZEGOVINA
      • MONTENEGRO
      • BULGARIA
      • NORTH MACEDONIA
      • GREECE
    • CAUCASUS >
      • GEORGIA
      • ARMENIA
      • AZERBAIJAN
      • CHECHNYA & INGUSHETIA
      • DAGESTAN
      • A Ride across the Caucasus
    • MIDDLE EAST >
      • EGYPT
      • TURKEY
      • CAPPADOCIA
      • CYPRUS
      • LEBANON
      • ISRAEL
      • PALESTINE
      • SYRIA
      • IRAQ
      • KUWAIT
      • JORDAN
      • SAUDI ARABIA
      • QATAR
      • UNITED ARAB EMIRATES
      • BAHRAIN
      • OMAN
      • YEMEN
    • MAGHREB & SAHEL >
      • AL-ANDALUS
      • MOROCCO
      • TUNISIA
      • ALGERIA
      • LIBYA
      • SAHRAWI REPUBLIC
      • MAURITANIA
      • MALI
      • BURKINA FASO
      • NIGER
      • CHAD
      • SUDAN
      • FULANI WORLD
      • MANDINGA WORLD
    • WEST AFRICA >
      • SENEGAL
      • GAMBIA
      • CAPE VERDE
      • GUINEA-BISSAU
      • GUINEA
      • SIERRA LEONE
      • IVORY COAST
      • GHANA
      • SAO TOME & PRINCIPE
      • TOGO
      • BENIN
      • NIGERIA
      • CAMEROON
      • EQUATORIAL GUINEA
      • CENTRAL AFRICAN REPUBLIC
      • GABON
    • THE HORN OF AFRICA >
      • ETHIOPIA
      • ERITREA
      • DJIBOUTI
      • SOMALIA
    • THE SOUTH OF AFRICA >
      • CONGO
      • UGANDA
      • KENYA
      • RWANDA
      • BURUNDI
      • TANZANIA
      • ANGOLA
      • ZAMBIA
      • MALAWI
      • MOZAMBIQUE
      • ZIMBABWE
      • NAMIBIA
      • BOTSWANA
      • LESOTHO
      • ESWATINI
      • SOUTH AFRICA
    • INDIA & INDIAN OCEAN >
      • INDIA
      • NEPAL
      • BHUTAN
      • BANGLADESH
      • SRI LANKA
      • MALDIVES
      • SEYCHELLES
      • MAURITIUS
      • COMOROS
      • MADAGASCAR
    • SOUTH EAST ASIA >
      • LAOS
      • VIETNAM
      • CAMBODIA
      • MYANMAR
      • THAILAND
      • MALAYSIA
      • SINGAPORE
      • BRUNEI
      • INDONESIA
      • BALI
      • TIMOR
      • PHILIPPINES
    • IRAN & CENTRAL ASIA >
      • IRAN
      • AFGHANISTAN
      • PAKISTAN
      • UZBEKISTAN
      • TAJIKISTAN
      • KYRGYZSTAN
      • TURKMENISTAN
      • KAZAKHSTAN
      • TAKLAMAKAN & THE UYGHURS
    • NORTH & NORTH EAST ASIA >
      • CHUKOTKA & KAMCHATKA
      • SAKHA (YAKUTIA)
      • JAPAN
      • MANCHURIA
      • KOREA
      • BURYATIA
      • MONGOLIA
      • CHINA
      • TIBET
    • NORTH AMERICA >
      • CANADA
      • UNITED STATES
    • MESOAMERICA >
      • MEXICO
      • GUATEMALA
      • BELIZE
      • EL SALVADOR
      • HONDURAS
      • NICARAGUA
      • COSTA RICA
      • PANAMA
    • THE CARIBBEAN >
      • CUBA
      • JAMAICA
      • HAITI
      • DOMINICAN REPUBLIC
      • PUERTO RICO
      • MARTINIQUE
      • TRINIDAD & TOBAGO
    • SOUTH AMERICA >
      • BRAZIL
      • COLOMBIA
      • VENEZUELA
      • GUYANA
      • SURINAME
      • ECUADOR
      • PERU
      • BOLIVIA
      • URUGUAY
      • PARAGUAY
      • ARGENTINA
      • CHILE
    • POLYNESIA >
      • EASTER ISLAND
      • TAHITI & FRENCH POLYNESIA
      • SAMOA
      • TONGA
    • MICRONESIA >
      • MARSHALL ISLANDS
      • PALAU
      • KIRIBATI
    • MELANESIA >
      • PAPUA NEW GUINEA
      • NEW CALEDONIA
      • VANUATU
      • FIJI
      • SOLOMON ISLANDS
    • AUSTRALASIA >
      • AUSTRALIA
      • NEW ZEALAND
    • ANTARCTICA >
      • EXPLORATION
  • AUTOBIOGRAPHICA & MARGINALIA
    • The Four Riders
    • The Flight of the Crimson Angel
    • Becoming undead
    • Transition
    • LIFESTYLE
    • ON LANGUAGES
    • FALCONRY
    • NATURE PHOTOGRAPHY >
      • PLANTS >
        • BOTANIC GARDENS
        • FORESTS
      • BUTTERFLIES
      • AMPHIBIANS & REPTILES
      • BIRDS
      • MAMMALS
      • WATER & AQUATIC LIFE
      • EARTH
      • LIGHT
    • GARDEN & DESERT. Erotic Journal
  • News & Events
    • Void in the making. RESEARCH BLOG
  • TEXTS
  • Contact