EWA A. ŁUKASZYK
  • Home
  • ABOUT
  • THEORY & EXPERIMENTS
    • BEYOND TRANSMISSION
    • DESERT
    • EROTICISM OF TRACE
    • INTIMATE MICROSPHERES
    • NON-CULTURAL MORPHOGENESIS
    • PINWHEELS
    • POETICS OF THE VOID
    • SYMBOLIC MATRIX
  • RESEARCH & PROJECTS
    • DISCIPLINES >
      • LITERARY THEORY
      • COMPARATIVE LITERATURE
      • GLOBAL LITERARY STUDIES
      • HISTORY OF IDEAS
      • CULTURAL THEORY & ANALYSIS
    • AREAS >
      • ISLAMIC STUDIES
      • ARAB LITERATURE
      • MAGHREBIAN & WEST AFRICAN STUDIES
      • WEST EUROPEAN & EURO-MEDITERRANEAN LITERATURES
      • EAST EUROPEAN & POST-SOVIET LITERATURES
      • PORTUGUESE STUDIES
      • LUSOPHONE AFRICAN STUDIES
      • LATIN AMERICAN STUDIES
    • PERIODS >
      • MEDIEVAL & EARLY MODERN STUDIES
      • 19TH-CENTURY STUDIES
    • FIELDS >
      • TRANSCULTURAL HUMANITIES
      • TRANSCOLONIAL & TRANSINDIGENOUS STUDIES
      • MARITIME HUMANITIES
      • FEMINISMS, GENDER & QUEER STUDIES
      • EROTICISM & SEXUALITY STUDIES
      • PLANT & ANIMAL STUDIES
      • APOCALYPTIC STUDIES
    • TOPICS >
      • TRAVEL WRITING
      • WRITINGS ON ART
  • LIBRARY & THE WORLD
    • ARCTIC & SCANDINAVIA >
      • GREENLAND
      • ICELAND
      • NORWAY
      • SWEDEN
      • FINLAND
      • DENMARK
    • EASTERN EUROPE >
      • ESTONIA
      • LATVIA
      • LITHUANIA
      • RUSSIA
      • BELARUS
      • UKRAINE
      • POLAND
      • Forty Years of Travel in Poland
      • CZECH REPUBLIC
      • SLOVAKIA
      • HUNGARY
      • ROMANIA
      • MOLDOVA
    • WESTERN EUROPE >
      • IRELAND
      • SCOTLAND
      • GREAT BRITAIN
      • NETHERLANDS
      • BELGIUM
      • LUXEMBURG
      • GERMANY
      • AUSTRIA
      • LIECHTENSTEIN
      • SWITZERLAND
      • FRANCE
      • MIDI
      • ITALY
      • VENICE
      • SICILY
      • MALTA
      • CATALONIA
      • SPAIN
      • PORTUGAL
      • CANARY ISLANDS
    • THE BALKANS >
      • SLOVENIA
      • CROATIA
      • SERBIA
      • ALBANIA
      • BOSNIA & HERZEGOVINA
      • MONTENEGRO
      • BULGARIA
      • NORTH MACEDONIA
      • GREECE
    • CAUCASUS >
      • GEORGIA
      • ARMENIA
      • AZERBAIJAN
      • CHECHNYA & INGUSHETIA
      • DAGESTAN
      • A Ride across the Caucasus
    • MIDDLE EAST >
      • EGYPT
      • LEBANON
      • PALESTINE
      • ISRAEL
      • CYPRUS
      • TURKEY
      • CAPPADOCIA
      • KURDISTAN
      • SYRIA
      • IRAQ
      • KUWAIT
      • JORDAN
      • SAUDI ARABIA
      • QATAR
      • UNITED ARAB EMIRATES
      • BAHRAIN
      • OMAN
      • YEMEN
    • MAGHREB & SAHEL >
      • AL-ANDALUS
      • MOROCCO
      • TUNISIA
      • ALGERIA
      • LIBYA
      • SAHRAWI REPUBLIC
      • MAURITANIA
      • MALI
      • BURKINA FASO
      • NIGER
      • CHAD
      • SUDAN
      • FULANI WORLD
      • MANDINGA WORLD
    • WEST AFRICA >
      • SENEGAL
      • GAMBIA
      • CAPE VERDE
      • GUINEA-BISSAU
      • GUINEA
      • SIERRA LEONE
      • IVORY COAST
      • GHANA
      • SAO TOME & PRINCIPE
      • TOGO
      • BENIN
      • NIGERIA
      • CAMEROON
      • EQUATORIAL GUINEA
      • CENTRAL AFRICAN REPUBLIC
      • GABON
    • THE HORN OF AFRICA >
      • ETHIOPIA
      • ERITREA
      • DJIBOUTI
      • SOMALIA
    • THE SOUTH OF AFRICA >
      • CONGO
      • UGANDA
      • KENYA
      • RWANDA
      • BURUNDI
      • TANZANIA
      • ANGOLA
      • ZAMBIA
      • MALAWI
      • MOZAMBIQUE
      • ZIMBABWE
      • NAMIBIA
      • BOTSWANA
      • SOUTH AFRICA
      • LESOTHO
      • ESWATINI
    • INDIA & INDIAN OCEAN >
      • INDIA
      • NEPAL
      • BHUTAN
      • BANGLADESH
      • SRI LANKA
      • MALDIVES
      • SEYCHELLES
      • MAURITIUS
      • COMOROS
      • MADAGASCAR
    • SOUTH EAST ASIA >
      • LAOS
      • VIETNAM
      • CAMBODIA
      • MYANMAR
      • THAILAND
      • MALAYSIA
      • SINGAPORE
      • BRUNEI
      • INDONESIA
      • BALI
      • TIMOR
      • PHILIPPINES
    • IRAN & CENTRAL ASIA >
      • IRAN
      • AFGHANISTAN
      • PAKISTAN
      • UZBEKISTAN
      • TAJIKISTAN
      • KYRGYZSTAN
      • TURKMENISTAN
      • KAZAKHSTAN
      • TAKLAMAKAN & THE UYGHURS
    • NORTH & NORTH EAST ASIA >
      • CHUKOTKA & KAMCHATKA
      • SAKHA (YAKUTIA)
      • JAPAN
      • MANCHURIA
      • KOREA
      • BURYATIA
      • TUVA
      • MONGOLIA
      • CHINA
      • TIBET
    • NORTH AMERICA >
      • CANADA
      • UNITED STATES
    • MESOAMERICA >
      • MEXICO
      • GUATEMALA
      • BELIZE
      • EL SALVADOR
      • HONDURAS
      • NICARAGUA
      • COSTA RICA
      • PANAMA
    • THE CARIBBEAN >
      • CUBA
      • JAMAICA
      • HAITI
      • DOMINICAN REPUBLIC
      • PUERTO RICO
      • MARTINIQUE
      • TRINIDAD & TOBAGO
    • SOUTH AMERICA >
      • BRAZIL
      • COLOMBIA
      • VENEZUELA
      • GUYANA
      • SURINAME
      • ECUADOR
      • PERU
      • BOLIVIA
      • URUGUAY
      • PARAGUAY
      • ARGENTINA
      • CHILE
    • POLYNESIA >
      • EASTER ISLAND
      • TAHITI & FRENCH POLYNESIA
      • SAMOA
      • TONGA
    • MICRONESIA >
      • MARSHALL ISLANDS
      • PALAU
      • KIRIBATI
    • MELANESIA >
      • PAPUA NEW GUINEA
      • NEW CALEDONIA
      • VANUATU
      • FIJI
      • SOLOMON ISLANDS
    • AUSTRALASIA >
      • AUSTRALIA
      • NEW ZEALAND
    • ANTARCTICA >
      • EXPLORATION
  • AUTOBIOGRAPHICA & MARGINALIA
    • The Four Riders
    • The Flight of the Crimson Angel
    • Becoming undead
    • Transition
    • LIFESTYLE
    • ON LANGUAGES
    • FALCONRY
    • NATURE PHOTOGRAPHY >
      • PLANTS >
        • BOTANIC GARDENS
        • FORESTS
      • BUTTERFLIES
      • AMPHIBIANS & REPTILES
      • BIRDS
      • MAMMALS
      • WATER & AQUATIC LIFE
      • EARTH
      • LIGHT
    • GARDEN & DESERT. Erotic Journal
  • News & Events
    • Void in the making. RESEARCH BLOG
  • TEXTS
  • Contact

GARDEN & DESERT
​
Erotic Journal

On the top of the planet - Day 8

3/9/2019

0 Comments

 
Yesterday night, I ended up preparing that paper for Bulgaria. Why? Perhaps because I reached the conclusion that the only way to cross this stage is simply to fulfil whatever is there. To take it on, in a way. To take also the non-excellence on. 
Perhaps it is a mistake, and a mistake I have committed too often in the past. Publishing mediocre papers without any chance of visibility, just to be among people. Just to participate. Nonetheless, I felt there is some sort of inclusive virtue in this participation.
Now at least I understand one thing I have read on a blog dedicated to academic advice a long time ago. Why the blogger said the publications sometimes may be TOO NUMEROUS to serve their author's best interests. Undoubtedly, it is my case. I write too much to be among people. And this virtue of participation... is perhaps contrary to the best research ethics. Because participation in not a sufficient reason to write. Only originality, progress, excellence is. 
These are the protestant ethics of the top of the planet. And I live a double life. 
So what should I do? The paper I prepared for Bulgaria (Lettres portugaises versus Novas cartas portuguesas) is based on an old topic I presented on last time in 2014, on a little conference we made with Joanna Partyka and some colleagues from Alicante that used to came for an ERASMUS mobility. Now as then, it is all about being among people.
I know my text is not bad. No, it is good, perfectly good. But this is how the scheme of evaluating researchers is built in the ERC: they are good -- very good -- outstanding -- exceptional -- excellent. There is no such category as bad researchers. We are all doing decent, acceptable work. But the good and the very good ones are not financed.   
I know very well what I should do, what serves my best academic interests. I should be in the library now, working on my project. On the extra-cultural becoming of man. As Ibn Hazm said, one thousand years ago, we are the intellectual mujahiduna who have sworn on the furthest frontiers to stand, facing darkness... Not to be women among women, spending time on feasting and chatter of the ongoing academic life, repeating anecdotes we already told years ago on similar occasions, and that had been told by other people on similar occasions as well, and that have a great potential of making us accepted in the company of other women...
So what should I do, delete it, once and for all? Send it to Sofia and indulge in the sensation of participating? Because if I didn't write those good, easy things, I would write nothing at all. The machine would stop. And I would plunge in silence, darkness and loneliness.
 

***********************************************************************************************************************

​I added the Bulgarian text to my forthcoming publications. And started to read Himmich in the bathroom. The only way up is to go slowly. After all, I am in such a doubt about returning to my text from 2014, because I have grown and improved so much since that time. 
0 Comments



Leave a Reply.

    blog archives

    September 2022
    August 2022
    June 2022
    February 2022
    December 2021
    September 2021
    July 2021
    May 2021
    March 2021
    November 2020
    October 2020
    September 2020
    August 2020
    June 2020
    May 2020
    April 2020
    March 2020
    February 2020
    November 2019
    September 2019
    August 2019
    June 2019
    May 2019
    January 2019
    December 2018
    November 2018
    October 2018
    August 2018
    July 2018
    May 2018
    April 2018
    March 2018
    February 2018
    January 2018
    December 2017
    November 2017
    October 2017
    August 2017
    July 2017
    January 2017
    November 2016
    October 2016
    September 2016
    August 2016
    July 2016
    June 2016
    May 2016
    April 2016
    March 2016
    June 2015
    May 2015
    April 2015
    March 2015
    February 2015

Powered by Create your own unique website with customizable templates.
  • Home
  • ABOUT
  • THEORY & EXPERIMENTS
    • BEYOND TRANSMISSION
    • DESERT
    • EROTICISM OF TRACE
    • INTIMATE MICROSPHERES
    • NON-CULTURAL MORPHOGENESIS
    • PINWHEELS
    • POETICS OF THE VOID
    • SYMBOLIC MATRIX
  • RESEARCH & PROJECTS
    • DISCIPLINES >
      • LITERARY THEORY
      • COMPARATIVE LITERATURE
      • GLOBAL LITERARY STUDIES
      • HISTORY OF IDEAS
      • CULTURAL THEORY & ANALYSIS
    • AREAS >
      • ISLAMIC STUDIES
      • ARAB LITERATURE
      • MAGHREBIAN & WEST AFRICAN STUDIES
      • WEST EUROPEAN & EURO-MEDITERRANEAN LITERATURES
      • EAST EUROPEAN & POST-SOVIET LITERATURES
      • PORTUGUESE STUDIES
      • LUSOPHONE AFRICAN STUDIES
      • LATIN AMERICAN STUDIES
    • PERIODS >
      • MEDIEVAL & EARLY MODERN STUDIES
      • 19TH-CENTURY STUDIES
    • FIELDS >
      • TRANSCULTURAL HUMANITIES
      • TRANSCOLONIAL & TRANSINDIGENOUS STUDIES
      • MARITIME HUMANITIES
      • FEMINISMS, GENDER & QUEER STUDIES
      • EROTICISM & SEXUALITY STUDIES
      • PLANT & ANIMAL STUDIES
      • APOCALYPTIC STUDIES
    • TOPICS >
      • TRAVEL WRITING
      • WRITINGS ON ART
  • LIBRARY & THE WORLD
    • ARCTIC & SCANDINAVIA >
      • GREENLAND
      • ICELAND
      • NORWAY
      • SWEDEN
      • FINLAND
      • DENMARK
    • EASTERN EUROPE >
      • ESTONIA
      • LATVIA
      • LITHUANIA
      • RUSSIA
      • BELARUS
      • UKRAINE
      • POLAND
      • Forty Years of Travel in Poland
      • CZECH REPUBLIC
      • SLOVAKIA
      • HUNGARY
      • ROMANIA
      • MOLDOVA
    • WESTERN EUROPE >
      • IRELAND
      • SCOTLAND
      • GREAT BRITAIN
      • NETHERLANDS
      • BELGIUM
      • LUXEMBURG
      • GERMANY
      • AUSTRIA
      • LIECHTENSTEIN
      • SWITZERLAND
      • FRANCE
      • MIDI
      • ITALY
      • VENICE
      • SICILY
      • MALTA
      • CATALONIA
      • SPAIN
      • PORTUGAL
      • CANARY ISLANDS
    • THE BALKANS >
      • SLOVENIA
      • CROATIA
      • SERBIA
      • ALBANIA
      • BOSNIA & HERZEGOVINA
      • MONTENEGRO
      • BULGARIA
      • NORTH MACEDONIA
      • GREECE
    • CAUCASUS >
      • GEORGIA
      • ARMENIA
      • AZERBAIJAN
      • CHECHNYA & INGUSHETIA
      • DAGESTAN
      • A Ride across the Caucasus
    • MIDDLE EAST >
      • EGYPT
      • LEBANON
      • PALESTINE
      • ISRAEL
      • CYPRUS
      • TURKEY
      • CAPPADOCIA
      • KURDISTAN
      • SYRIA
      • IRAQ
      • KUWAIT
      • JORDAN
      • SAUDI ARABIA
      • QATAR
      • UNITED ARAB EMIRATES
      • BAHRAIN
      • OMAN
      • YEMEN
    • MAGHREB & SAHEL >
      • AL-ANDALUS
      • MOROCCO
      • TUNISIA
      • ALGERIA
      • LIBYA
      • SAHRAWI REPUBLIC
      • MAURITANIA
      • MALI
      • BURKINA FASO
      • NIGER
      • CHAD
      • SUDAN
      • FULANI WORLD
      • MANDINGA WORLD
    • WEST AFRICA >
      • SENEGAL
      • GAMBIA
      • CAPE VERDE
      • GUINEA-BISSAU
      • GUINEA
      • SIERRA LEONE
      • IVORY COAST
      • GHANA
      • SAO TOME & PRINCIPE
      • TOGO
      • BENIN
      • NIGERIA
      • CAMEROON
      • EQUATORIAL GUINEA
      • CENTRAL AFRICAN REPUBLIC
      • GABON
    • THE HORN OF AFRICA >
      • ETHIOPIA
      • ERITREA
      • DJIBOUTI
      • SOMALIA
    • THE SOUTH OF AFRICA >
      • CONGO
      • UGANDA
      • KENYA
      • RWANDA
      • BURUNDI
      • TANZANIA
      • ANGOLA
      • ZAMBIA
      • MALAWI
      • MOZAMBIQUE
      • ZIMBABWE
      • NAMIBIA
      • BOTSWANA
      • SOUTH AFRICA
      • LESOTHO
      • ESWATINI
    • INDIA & INDIAN OCEAN >
      • INDIA
      • NEPAL
      • BHUTAN
      • BANGLADESH
      • SRI LANKA
      • MALDIVES
      • SEYCHELLES
      • MAURITIUS
      • COMOROS
      • MADAGASCAR
    • SOUTH EAST ASIA >
      • LAOS
      • VIETNAM
      • CAMBODIA
      • MYANMAR
      • THAILAND
      • MALAYSIA
      • SINGAPORE
      • BRUNEI
      • INDONESIA
      • BALI
      • TIMOR
      • PHILIPPINES
    • IRAN & CENTRAL ASIA >
      • IRAN
      • AFGHANISTAN
      • PAKISTAN
      • UZBEKISTAN
      • TAJIKISTAN
      • KYRGYZSTAN
      • TURKMENISTAN
      • KAZAKHSTAN
      • TAKLAMAKAN & THE UYGHURS
    • NORTH & NORTH EAST ASIA >
      • CHUKOTKA & KAMCHATKA
      • SAKHA (YAKUTIA)
      • JAPAN
      • MANCHURIA
      • KOREA
      • BURYATIA
      • TUVA
      • MONGOLIA
      • CHINA
      • TIBET
    • NORTH AMERICA >
      • CANADA
      • UNITED STATES
    • MESOAMERICA >
      • MEXICO
      • GUATEMALA
      • BELIZE
      • EL SALVADOR
      • HONDURAS
      • NICARAGUA
      • COSTA RICA
      • PANAMA
    • THE CARIBBEAN >
      • CUBA
      • JAMAICA
      • HAITI
      • DOMINICAN REPUBLIC
      • PUERTO RICO
      • MARTINIQUE
      • TRINIDAD & TOBAGO
    • SOUTH AMERICA >
      • BRAZIL
      • COLOMBIA
      • VENEZUELA
      • GUYANA
      • SURINAME
      • ECUADOR
      • PERU
      • BOLIVIA
      • URUGUAY
      • PARAGUAY
      • ARGENTINA
      • CHILE
    • POLYNESIA >
      • EASTER ISLAND
      • TAHITI & FRENCH POLYNESIA
      • SAMOA
      • TONGA
    • MICRONESIA >
      • MARSHALL ISLANDS
      • PALAU
      • KIRIBATI
    • MELANESIA >
      • PAPUA NEW GUINEA
      • NEW CALEDONIA
      • VANUATU
      • FIJI
      • SOLOMON ISLANDS
    • AUSTRALASIA >
      • AUSTRALIA
      • NEW ZEALAND
    • ANTARCTICA >
      • EXPLORATION
  • AUTOBIOGRAPHICA & MARGINALIA
    • The Four Riders
    • The Flight of the Crimson Angel
    • Becoming undead
    • Transition
    • LIFESTYLE
    • ON LANGUAGES
    • FALCONRY
    • NATURE PHOTOGRAPHY >
      • PLANTS >
        • BOTANIC GARDENS
        • FORESTS
      • BUTTERFLIES
      • AMPHIBIANS & REPTILES
      • BIRDS
      • MAMMALS
      • WATER & AQUATIC LIFE
      • EARTH
      • LIGHT
    • GARDEN & DESERT. Erotic Journal
  • News & Events
    • Void in the making. RESEARCH BLOG
  • TEXTS
  • Contact