EWA A. ŁUKASZYK
  • Home
  • ABOUT
  • THEORY & EXPERIMENTS
    • BEYOND TRANSMISSION
    • DESERT
    • EROTICISM OF TRACE
    • INTIMATE MICROSPHERES
    • NON-CULTURAL MORPHOGENESIS
    • PINWHEELS
    • POETICS OF THE VOID
    • SYMBOLIC MATRIX
  • RESEARCH & PROJECTS
    • DISCIPLINES >
      • LITERARY THEORY
      • COMPARATIVE LITERATURE
      • GLOBAL LITERARY STUDIES
      • HISTORY OF IDEAS
      • CULTURAL THEORY & ANALYSIS
    • AREAS >
      • ISLAMIC STUDIES
      • ARAB LITERATURE
      • MAGHREBIAN & WEST AFRICAN STUDIES
      • WEST EUROPEAN & EURO-MEDITERRANEAN LITERATURES
      • EAST EUROPEAN & POST-SOVIET LITERATURES
      • PORTUGUESE STUDIES
      • LUSOPHONE AFRICAN STUDIES
      • LATIN AMERICAN STUDIES
    • PERIODS >
      • MEDIEVAL & EARLY MODERN STUDIES
      • 19TH-CENTURY STUDIES
    • FIELDS >
      • TRANSCULTURAL HUMANITIES
      • TRANSCOLONIAL & TRANSINDIGENOUS STUDIES
      • MARITIME HUMANITIES
      • FEMINISMS, GENDER & QUEER STUDIES
      • EROTICISM & SEXUALITY STUDIES
      • PLANT & ANIMAL STUDIES
      • APOCALYPTIC STUDIES
    • TOPICS >
      • TRAVEL WRITING
      • WRITINGS ON ART
  • LIBRARY & THE WORLD
    • ARCTIC & SCANDINAVIA >
      • GREENLAND
      • ICELAND
      • NORWAY
      • SWEDEN
      • FINLAND
      • DENMARK
    • EASTERN EUROPE >
      • ESTONIA
      • LATVIA
      • LITHUANIA
      • RUSSIA
      • BELARUS
      • UKRAINE
      • POLAND
      • Forty Years of Travel in Poland
      • CZECH REPUBLIC
      • SLOVAKIA
      • HUNGARY
      • ROMANIA
      • MOLDOVA
    • WESTERN EUROPE >
      • IRELAND
      • SCOTLAND
      • GREAT BRITAIN
      • NETHERLANDS
      • BELGIUM
      • LUXEMBURG
      • GERMANY
      • AUSTRIA
      • LIECHTENSTEIN
      • SWITZERLAND
      • FRANCE
      • MIDI
      • ITALY
      • VENICE
      • SICILY
      • MALTA
      • CATALONIA
      • SPAIN
      • PORTUGAL
      • CANARY ISLANDS
    • THE BALKANS >
      • SLOVENIA
      • CROATIA
      • SERBIA
      • ALBANIA
      • BOSNIA & HERZEGOVINA
      • MONTENEGRO
      • BULGARIA
      • NORTH MACEDONIA
      • GREECE
    • CAUCASUS >
      • GEORGIA
      • ARMENIA
      • AZERBAIJAN
      • CHECHNYA & INGUSHETIA
      • DAGESTAN
      • A Ride across the Caucasus
    • MIDDLE EAST >
      • EGYPT
      • LEBANON
      • PALESTINE
      • ISRAEL
      • CYPRUS
      • TURKEY
      • CAPPADOCIA
      • KURDISTAN
      • SYRIA
      • IRAQ
      • KUWAIT
      • JORDAN
      • SAUDI ARABIA
      • QATAR
      • UNITED ARAB EMIRATES
      • BAHRAIN
      • OMAN
      • YEMEN
    • MAGHREB & SAHEL >
      • AL-ANDALUS
      • MOROCCO
      • TUNISIA
      • ALGERIA
      • LIBYA
      • SAHRAWI REPUBLIC
      • MAURITANIA
      • MALI
      • BURKINA FASO
      • NIGER
      • CHAD
      • SUDAN
      • FULANI WORLD
      • MANDINGA WORLD
    • WEST AFRICA >
      • SENEGAL
      • GAMBIA
      • CAPE VERDE
      • GUINEA-BISSAU
      • GUINEA
      • SIERRA LEONE
      • IVORY COAST
      • GHANA
      • SAO TOME & PRINCIPE
      • TOGO
      • BENIN
      • NIGERIA
      • CAMEROON
      • EQUATORIAL GUINEA
      • CENTRAL AFRICAN REPUBLIC
      • GABON
    • THE HORN OF AFRICA >
      • ETHIOPIA
      • ERITREA
      • DJIBOUTI
      • SOMALIA
    • THE SOUTH OF AFRICA >
      • CONGO
      • UGANDA
      • KENYA
      • RWANDA
      • BURUNDI
      • TANZANIA
      • ANGOLA
      • ZAMBIA
      • MALAWI
      • MOZAMBIQUE
      • ZIMBABWE
      • NAMIBIA
      • BOTSWANA
      • SOUTH AFRICA
      • LESOTHO
      • ESWATINI
    • INDIA & INDIAN OCEAN >
      • INDIA
      • NEPAL
      • BHUTAN
      • BANGLADESH
      • SRI LANKA
      • MALDIVES
      • SEYCHELLES
      • MAURITIUS
      • COMOROS
      • MADAGASCAR
    • SOUTH EAST ASIA >
      • LAOS
      • VIETNAM
      • CAMBODIA
      • MYANMAR
      • THAILAND
      • MALAYSIA
      • SINGAPORE
      • BRUNEI
      • INDONESIA
      • BALI
      • TIMOR
      • PHILIPPINES
    • IRAN & CENTRAL ASIA >
      • IRAN
      • AFGHANISTAN
      • PAKISTAN
      • UZBEKISTAN
      • TAJIKISTAN
      • KYRGYZSTAN
      • TURKMENISTAN
      • KAZAKHSTAN
      • TAKLAMAKAN & THE UYGHURS
    • NORTH & NORTH EAST ASIA >
      • CHUKOTKA & KAMCHATKA
      • SAKHA (YAKUTIA)
      • JAPAN
      • MANCHURIA
      • KOREA
      • BURYATIA
      • TUVA
      • MONGOLIA
      • CHINA
      • TIBET
    • NORTH AMERICA >
      • CANADA
      • UNITED STATES
    • MESOAMERICA >
      • MEXICO
      • GUATEMALA
      • BELIZE
      • EL SALVADOR
      • HONDURAS
      • NICARAGUA
      • COSTA RICA
      • PANAMA
    • THE CARIBBEAN >
      • CUBA
      • JAMAICA
      • HAITI
      • DOMINICAN REPUBLIC
      • PUERTO RICO
      • MARTINIQUE
      • TRINIDAD & TOBAGO
    • SOUTH AMERICA >
      • BRAZIL
      • COLOMBIA
      • VENEZUELA
      • GUYANA
      • SURINAME
      • ECUADOR
      • PERU
      • BOLIVIA
      • URUGUAY
      • PARAGUAY
      • ARGENTINA
      • CHILE
    • POLYNESIA >
      • EASTER ISLAND
      • TAHITI & FRENCH POLYNESIA
      • SAMOA
      • TONGA
    • MICRONESIA >
      • MARSHALL ISLANDS
      • PALAU
      • KIRIBATI
    • MELANESIA >
      • PAPUA NEW GUINEA
      • NEW CALEDONIA
      • VANUATU
      • FIJI
      • SOLOMON ISLANDS
    • AUSTRALASIA >
      • AUSTRALIA
      • NEW ZEALAND
    • ANTARCTICA >
      • EXPLORATION
  • AUTOBIOGRAPHICA & MARGINALIA
    • The Four Riders
    • The Flight of the Crimson Angel
    • Becoming undead
    • Transition
    • LIFESTYLE
    • ON LANGUAGES
    • FALCONRY
    • NATURE PHOTOGRAPHY >
      • PLANTS >
        • BOTANIC GARDENS
        • FORESTS
      • BUTTERFLIES
      • AMPHIBIANS & REPTILES
      • BIRDS
      • MAMMALS
      • WATER & AQUATIC LIFE
      • EARTH
      • LIGHT
    • GARDEN & DESERT. Erotic Journal
  • News & Events
    • Void in the making. RESEARCH BLOG
  • TEXTS
  • Contact

NIGERIA

I have read

J.M.G. Le Clézio, Onitsha (1991)
Chinua Achebe, Things Fall Apart (1958)
Amos Tutuola, The Palm-Wine Drinkard (1952)
Vertical Divider

I have written

... nothing ...

obliterating worlds

I wonder how such books as Le Clézio's Onitsha are situated in relation to postcolonial studies. Are they emancipative, in any sense? Are they critical? Do they establish justice? The writer returns to colonial dream, and colonial disillusion, such as that of Geoffroy Allen, the absent father of Fintan, the absent lover of Malou, even after they are finally reunited in Onitsha, on the bank of the Niger. He tries to explain the tempting mystery of Africa that brought him there, and draw his family into his adventure. The sign of itsi marking the faces of first-born children, the temptation to return into a mythical universe, that of apotropaic markings, that of an existence with some kind of root, some kind of hidden meaning, with a silver lining of a myth that works like an existential anchor. As Geoffroy Allen tries to look back, to understand why and for what he came to Onitsha, he discovers a sort of supremacy of that ancestral universe over everything his own civilised life had been. Even if the myth he thinks about speaks of a sacrifice of children, killed for a promise of obtaining better food. Perhaps in fact the European colonial adventure is this: the sacrifice of the first-borns for a promise of obtaining better food. Copra, palm oil, salted peanuts. But in the primordial, mythical context it seems to make some sort of greater sense. 
But is this a real explanation, or a bitter-sweet, nostalgic return to exoticism? To that Long Voyage that every European child desired, was educated to desire. Even me, in Poland, with Sienkiewicz's W pustyni i w puszczy; it is still the reason why I make this website, overwhelmed by the desire of travel, taking pictures, reading world literature and writing about it. Fintan suffers its consequences bodily, but it is still the slow pace of his ship, travelling from one port of West Africa to another that I have to put up with. As I read and write in my global scrapbook, day by day, languid, during my solitary vacation in Poland, I am still on the deck of a cursed Flying Dutchman, of a phantasmal "Surabaya", getting boxes of canned goods from one port to another. 
The colonial adventure tears them apart, father and son, husband and wife. It obliterates their former lives, it obliterates the reality of the world. It is narrated as a deeply unhappy, alienating experience, but the intense literariness of the text makes the reader miss it, still, in spite of everything. 


​
J.M.G. Le Clézio, Onitsha, Paris, Gallimard, 1991.

Kraków, 4.08.2021.
Powered by Create your own unique website with customizable templates.
  • Home
  • ABOUT
  • THEORY & EXPERIMENTS
    • BEYOND TRANSMISSION
    • DESERT
    • EROTICISM OF TRACE
    • INTIMATE MICROSPHERES
    • NON-CULTURAL MORPHOGENESIS
    • PINWHEELS
    • POETICS OF THE VOID
    • SYMBOLIC MATRIX
  • RESEARCH & PROJECTS
    • DISCIPLINES >
      • LITERARY THEORY
      • COMPARATIVE LITERATURE
      • GLOBAL LITERARY STUDIES
      • HISTORY OF IDEAS
      • CULTURAL THEORY & ANALYSIS
    • AREAS >
      • ISLAMIC STUDIES
      • ARAB LITERATURE
      • MAGHREBIAN & WEST AFRICAN STUDIES
      • WEST EUROPEAN & EURO-MEDITERRANEAN LITERATURES
      • EAST EUROPEAN & POST-SOVIET LITERATURES
      • PORTUGUESE STUDIES
      • LUSOPHONE AFRICAN STUDIES
      • LATIN AMERICAN STUDIES
    • PERIODS >
      • MEDIEVAL & EARLY MODERN STUDIES
      • 19TH-CENTURY STUDIES
    • FIELDS >
      • TRANSCULTURAL HUMANITIES
      • TRANSCOLONIAL & TRANSINDIGENOUS STUDIES
      • MARITIME HUMANITIES
      • FEMINISMS, GENDER & QUEER STUDIES
      • EROTICISM & SEXUALITY STUDIES
      • PLANT & ANIMAL STUDIES
      • APOCALYPTIC STUDIES
    • TOPICS >
      • TRAVEL WRITING
      • WRITINGS ON ART
  • LIBRARY & THE WORLD
    • ARCTIC & SCANDINAVIA >
      • GREENLAND
      • ICELAND
      • NORWAY
      • SWEDEN
      • FINLAND
      • DENMARK
    • EASTERN EUROPE >
      • ESTONIA
      • LATVIA
      • LITHUANIA
      • RUSSIA
      • BELARUS
      • UKRAINE
      • POLAND
      • Forty Years of Travel in Poland
      • CZECH REPUBLIC
      • SLOVAKIA
      • HUNGARY
      • ROMANIA
      • MOLDOVA
    • WESTERN EUROPE >
      • IRELAND
      • SCOTLAND
      • GREAT BRITAIN
      • NETHERLANDS
      • BELGIUM
      • LUXEMBURG
      • GERMANY
      • AUSTRIA
      • LIECHTENSTEIN
      • SWITZERLAND
      • FRANCE
      • MIDI
      • ITALY
      • VENICE
      • SICILY
      • MALTA
      • CATALONIA
      • SPAIN
      • PORTUGAL
      • CANARY ISLANDS
    • THE BALKANS >
      • SLOVENIA
      • CROATIA
      • SERBIA
      • ALBANIA
      • BOSNIA & HERZEGOVINA
      • MONTENEGRO
      • BULGARIA
      • NORTH MACEDONIA
      • GREECE
    • CAUCASUS >
      • GEORGIA
      • ARMENIA
      • AZERBAIJAN
      • CHECHNYA & INGUSHETIA
      • DAGESTAN
      • A Ride across the Caucasus
    • MIDDLE EAST >
      • EGYPT
      • LEBANON
      • PALESTINE
      • ISRAEL
      • CYPRUS
      • TURKEY
      • CAPPADOCIA
      • KURDISTAN
      • SYRIA
      • IRAQ
      • KUWAIT
      • JORDAN
      • SAUDI ARABIA
      • QATAR
      • UNITED ARAB EMIRATES
      • BAHRAIN
      • OMAN
      • YEMEN
    • MAGHREB & SAHEL >
      • AL-ANDALUS
      • MOROCCO
      • TUNISIA
      • ALGERIA
      • LIBYA
      • SAHRAWI REPUBLIC
      • MAURITANIA
      • MALI
      • BURKINA FASO
      • NIGER
      • CHAD
      • SUDAN
      • FULANI WORLD
      • MANDINGA WORLD
    • WEST AFRICA >
      • SENEGAL
      • GAMBIA
      • CAPE VERDE
      • GUINEA-BISSAU
      • GUINEA
      • SIERRA LEONE
      • IVORY COAST
      • GHANA
      • SAO TOME & PRINCIPE
      • TOGO
      • BENIN
      • NIGERIA
      • CAMEROON
      • EQUATORIAL GUINEA
      • CENTRAL AFRICAN REPUBLIC
      • GABON
    • THE HORN OF AFRICA >
      • ETHIOPIA
      • ERITREA
      • DJIBOUTI
      • SOMALIA
    • THE SOUTH OF AFRICA >
      • CONGO
      • UGANDA
      • KENYA
      • RWANDA
      • BURUNDI
      • TANZANIA
      • ANGOLA
      • ZAMBIA
      • MALAWI
      • MOZAMBIQUE
      • ZIMBABWE
      • NAMIBIA
      • BOTSWANA
      • SOUTH AFRICA
      • LESOTHO
      • ESWATINI
    • INDIA & INDIAN OCEAN >
      • INDIA
      • NEPAL
      • BHUTAN
      • BANGLADESH
      • SRI LANKA
      • MALDIVES
      • SEYCHELLES
      • MAURITIUS
      • COMOROS
      • MADAGASCAR
    • SOUTH EAST ASIA >
      • LAOS
      • VIETNAM
      • CAMBODIA
      • MYANMAR
      • THAILAND
      • MALAYSIA
      • SINGAPORE
      • BRUNEI
      • INDONESIA
      • BALI
      • TIMOR
      • PHILIPPINES
    • IRAN & CENTRAL ASIA >
      • IRAN
      • AFGHANISTAN
      • PAKISTAN
      • UZBEKISTAN
      • TAJIKISTAN
      • KYRGYZSTAN
      • TURKMENISTAN
      • KAZAKHSTAN
      • TAKLAMAKAN & THE UYGHURS
    • NORTH & NORTH EAST ASIA >
      • CHUKOTKA & KAMCHATKA
      • SAKHA (YAKUTIA)
      • JAPAN
      • MANCHURIA
      • KOREA
      • BURYATIA
      • TUVA
      • MONGOLIA
      • CHINA
      • TIBET
    • NORTH AMERICA >
      • CANADA
      • UNITED STATES
    • MESOAMERICA >
      • MEXICO
      • GUATEMALA
      • BELIZE
      • EL SALVADOR
      • HONDURAS
      • NICARAGUA
      • COSTA RICA
      • PANAMA
    • THE CARIBBEAN >
      • CUBA
      • JAMAICA
      • HAITI
      • DOMINICAN REPUBLIC
      • PUERTO RICO
      • MARTINIQUE
      • TRINIDAD & TOBAGO
    • SOUTH AMERICA >
      • BRAZIL
      • COLOMBIA
      • VENEZUELA
      • GUYANA
      • SURINAME
      • ECUADOR
      • PERU
      • BOLIVIA
      • URUGUAY
      • PARAGUAY
      • ARGENTINA
      • CHILE
    • POLYNESIA >
      • EASTER ISLAND
      • TAHITI & FRENCH POLYNESIA
      • SAMOA
      • TONGA
    • MICRONESIA >
      • MARSHALL ISLANDS
      • PALAU
      • KIRIBATI
    • MELANESIA >
      • PAPUA NEW GUINEA
      • NEW CALEDONIA
      • VANUATU
      • FIJI
      • SOLOMON ISLANDS
    • AUSTRALASIA >
      • AUSTRALIA
      • NEW ZEALAND
    • ANTARCTICA >
      • EXPLORATION
  • AUTOBIOGRAPHICA & MARGINALIA
    • The Four Riders
    • The Flight of the Crimson Angel
    • Becoming undead
    • Transition
    • LIFESTYLE
    • ON LANGUAGES
    • FALCONRY
    • NATURE PHOTOGRAPHY >
      • PLANTS >
        • BOTANIC GARDENS
        • FORESTS
      • BUTTERFLIES
      • AMPHIBIANS & REPTILES
      • BIRDS
      • MAMMALS
      • WATER & AQUATIC LIFE
      • EARTH
      • LIGHT
    • GARDEN & DESERT. Erotic Journal
  • News & Events
    • Void in the making. RESEARCH BLOG
  • TEXTS
  • Contact